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A young female reporter hires a serial killer to murder her abusive father.
Although she was just looking for retaliation and closure, she will find out that the meaning of her own life is not just revenge…
She has fallen in love with the murderer she has hired
A woman in her sixties embarks on a journey through the Western United States after losing everything in the Great Recession, living as a van-dwelling modern-day nomad.
When Bruce Chatwin was dying of AIDS, his friend Werner Herzog made a final visit. As a parting gift, Chatwin gave him his rucksack. Thirty years later, Herzog sets out on his own journey, inspired by Chatwin’s passion for the nomadic life, uncovering stories of lost tribes, wanderers and dreamers.
Rivers dry up not only because of lack of rainfall but also because of suffocation of smaller streams, chaotic urbanization, deforestation, and unplanned public policy. A civilization too can suffer from choking and draughts, in forms of dogmas, ignorance, and superstition.
It was a primitive time long ago when the nomadic tribes of the Huns ruled the Great Steppes. After her clan is destroyed, Hora is taken captive but secretly plans to seek her revenge. In this barbaric world of violent warriors and ritualistic shamans, she must devise a plan to survive and seek her retribution. Only the strong will live to tell this tale.
Sol, a bold fugitive lost in a dangerous post-apocalyptic desert world, searches for a missing woman named Catherine and her illusive captor, the Nomad King. With enemies at every turn, Sol’s only chance of finding Catherine is with the help of a rogue and mysterious wanderer, Cleo.
Grazing the Sky is a compelling look at the lives of trapeze artists and other circus performers. The film was shot for over two years covering 11 countries, including the Americas, Europe and the Near East. It follows the nomadic lives of circus performers. The audience follows 10 protagonists as they try to reach perfection and meet their lofty goals. The documentary sheds light on the contemporary circus world, and focuses on performers who devote themselves to the greatest show on earth.
Set during China’s the Warring States Period (476-221 BC), benevolent warrior Chenkang Lu (Joe Odagiri) enters into a torrid love affair with a woman (Maggie Q) from the nomadic Harran tribe. Their relationship sends the warrior to a place where humans were once wolves…
Inspired by the true story of the first giraffe to visit France, Zarafa is a sumptuously animated and stirring adventure, and a throwback to a bygone era of hand-drawn animation and epic storytelling set among sweeping CinemaScope vistas of parched desert, wind-swept mountains and open skies. Under the cover of darkness a small boy, Maki, loosens the shackles that bind him and escapes into the desert night. Pursued by slavers across the moon-lit savannah, Maki meets Zarafa, a baby giraffe – and an orphan, just like him – as well as the nomad Hassan, Prince of the Desert. Hassan takes them to Alexandria for an audience with the Pasha of Egypt, who orders him to deliver the exotic animal as a gift to King Charles of France.
In 1969, a young Beijing student, Chen Zhen, is sent to live among the nomadic herdsmen of Inner Mongolia. Caught between the advance of civilization from the south and the nomads’ traditional enemies – the marauding wolves – to the north; humans and animals, residents and invaders alike, struggle to find their true place in the world
This shocking documentary chronicles a happy-go-lucky nomad’s ascent to viral stardom and the steep downward spiral that resulted in his imprisonment.
A nomadic recluse living on the fringes of society reconsiders his bloodthirsty legacy when a teenage girl shows up claiming to be his daughter.
Hazen Audel embarks on an epic trek that will mirror a traditional Berber nomad journey across the Saharan desert cauldron to an oasis.
Teenage Nola grew up living out of a van with her charismatic father, Clint; two nomads against the world. When tragedy strikes, Nola must confront the reality of life on the road alone. She’ll need to take the wheel for the first time learning to own her grief, her past and her new destination.
Alone and isolated at the family ranch, Tommy and his sister June suddenly find themselves being terrorized and hunted by a pair of nomadic killers.
The top movies of the past year are honored at the 93rd Academy Awards, with Mank (2020), in the lead with 10 nominations, as well as The Father (2020), Judas and the Black Messiah (2021), Nomadland (2020) and Sound of Metal (2019).
Pulling his girlfriend Allison (Jennifer Seward) into the whirlwind of his ambitions, Trent (Kyle Dyck) is desperately on the run from contracted hitmen Henry (Brian Paulette) and Tim (Davis DeRock) as he slips into the deep, desolate backroads that criss-cross the empty rolling plains. Along the way Trent stumbles upon Ben (Jeffrey Staab), a nomadic drifter who now calls these roads “home,” along-side his wife Michelle (Christie Courville) as they wander in the vast openness that is the Flint Hills.
When nomadic beekeepers break Honeyland’s basic rule (take half of the honey, but leave half to the bees), the last female beehunter in Europe must save the bees and restore natural balance.
Sam Montgomery is a tomboyish, unpopular girl at school. She has been text messaging a somebody named Nomad for a few months and he asks her to meet him at the Halloween dance at 11:00 in the middle of the dance floor. The only problem is, she must get back to the diner, ran by her wicked Stepmom Fiona by 12 sharp because she is not supposed to be there. Before Nomad can found out who she is, she must leave with her best friend, Carter driving her back to the diner. After that night, everything in Sam’s life goes wacko!
The autobiography of a Somalian nomad who was sold in marriage at 13, fled from Africa a while later to become finally an American supermodel and is now at the age of 38, the UN spokeswoman against female genital mutilation.
In 1976, a lower-middle-class teenager struggles to cope living with her neurotic family of nomads on the outskirts of Beverly Hills.
A nomadic 16th century warrior, condemned to hell for his brutal past, seeks redemption by renouncing violence, but finds some things are worth burning for as he fights to free a young Puritan woman from the grip of evil.
In the year 2961, the time is after humanity and nature has recovered the land. A hunter named Cygnus is called to rise above his duty. He provides for Last Arc, a once nomadic band of survivors in need of food and water that is now growing scarce. The answer must be found before a group of outlandish Heretics descend upon them. Cygnus must voyage across the treacherous landscape to defend his people. Sent by Nova, the matriarch of the band, she acts based on her vision for Cygnus to find a seed of hope. The future of Last Arc is for him to discover, Cygnus ventures into a hostile landscape in search of an answer for his people. On this journey of encountering many traps and dangers, Cygnus discovers what has been hunting him is his identity.
Zatôichi is a 19th century blind nomad who makes his living as a gambler and masseur. However, behind this humble facade, he is a master swordsman gifted with a lightning-fast draw and breathtaking precision. While wandering, Zatôichi discovers a remote mountain village at the mercy of Ginzo, a ruthless gang-leader. Ginzo disposes of anyone who gets in his way, especially after hiring the mighty samurai ronin, Hattori, as a bodyguard. After a raucous night of gambling in town, Zatôichi encounters a pair of geishas–as dangerous as they are beautiful–who’ve come to avenge their parents’ murder. As the paths of these and other colorful characters intertwine, Ginzo’s henchmen are soon after Zatôichi. With his legendary cane sword at his side, the stage is set for a riveting showdown.
Explorer Bruce Parry visits nomadic tribes in Borneo and the Amazon in hope to better understand humanity’s changing relationship with the world around us.
Jago tells the story of an 80 year old sea nomad called Rohani who has spent his life plying the waters of South East Asia’s Coral Triangle. The story is told entirely from Rohani’s perspective, against the spectacular backdrop of the Togian Islands, and recreates events that capture the turning points in his life, as a hunter and as a man. We were able to bring Rohani’s past experiences to life by working closely with his family and friends in the village where he grew up. These are the people you see representing Rohani in the film at various stages in his life. Story telling is a big part of Bajau culture, and a way of preserving traditions through generations, so everyone was very enthusiastic about what we were trying to do and brought lots of ideas of their own, especially Rohani. Although he had never had a camera pointed at him, it certainly wasn’t the first time he’d sat around telling stories. We were just lucky that he let us capture it on film.
A young family leaves their home on Kauai. It is time to return to the itinerant path from which all things in their uncommon lives come; beginning and ending on a remote dot in the Pacific. They nomadically trace continents to places where waves meet their edges, envoys of aloha. It is what they will learn, what they bring others, what they will pass on to their children in the hyper-expanded classroom, the lab of direct being; a legacy passed from a father to his family.
There’s drama aplenty for the travelling theatre company Chekhov Cabaret. The actors share the good times and the bad as a nomadic tribe where work and private life always mingle. They don’t mince words, these obstreperous actors with a sardonic sense of humour. Theatre always comes first.
I Don’t Belong Anywhere – Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.
Sending a burning arrow into the stunting effects that the compartmentalization of culture has on how creativity manifests, visual artist Doug Aitken embarked on an experiment exploring a less materialistic and more nomadic direction of art creation, exhibition, and participation. Station to Station involved a train that crossed North America housing a constantly changing creative community including artists, musicians, and curators, who collaborated in the creation of recordings, artworks, films, and 10 unique happenings, across the country.
Bye Bye Blondie tells the tale of Gloria and Frances, who first met when they were both patients in the same psychiatric hospital back in the 1980s, and decided to run away together. At the time their love affair was defined by youthful intensity. Later, when Francis disappeared without a trace, Gloria mourned the loss with a heavy heart. Over 20 years later, Francis (Emmanuelle Béart) and Gloria (Béatrice Dalle) have both turned 40. They’ve taken very different paths in life, with nomadic Gloria spending most of her time in a dive bar, and Frances enjoying success as a popular Parisian TV personality. The wife of a closeted and successful novelist, Francis is locked in a mutually-beneficial marriage of convenience when she once again crosses paths with Gloria, and finds her comfortable world turned upside down.
An American abroad finds herself falling in with an eccentric group of fellow expatriates in Spain in this comedy. Cassandra (Judy Davis) is a nomadic American who finds herself stranded in Spain, where she’s found temporary work translating books into English. However, Cassandra’s limited translating skills are not bringing home the bacon, so when she encounters a strange woman named Frankie (Marcia Gay Harden), she’s willing to help her find a missing friend for a price
How would you feel about carrying your home in your pocket or having clothes to live in? For most of us, “house” means stability, structure, and permanence. In an age of increasing population and technological gains, today’s mobile society has resulted in a demand, or perhaps a dream, for portable dwellings and dwellings in new settings and situations.
Microtopia explores how architects, artists and ordinary problem-solvers are pushing the limits to find answers to their dreams of portability, flexibility – and of creating independence from “the grid”. Modern nomads, homeless people, people in stress, people in need of privacy or seclusion. We hear about the personal reasons behind the dwellings, and to see how they actually work. On the sidewalk, on rooftops, in industrial landscapes and in nature we will see and feel how these abodes meet the dreams set up by their creators. Microtopia deals with a contemporary urgent ideas that are addressed, and solved, in a very surprising way.
